"All things are entangled, ensnared”: On Bertolt Brecht, War and Mother Courage
Ray and I sat in the park, talking about the world, old Louis Malle movies. I'm not sure we'll ever be the same, says Ray. But maybe we will. It’s three weeks into this war. And they are still using Putin/Orwellian language, calling it an operation, not a conflict. School kids are being killed. And they are pointing fingers.
Max arrived and we caught up on his journeys through Tokyo. His tips on the road, trips to Lake Titikaka. And Sunday afternoon turned to evening.
In Mother Courage and Her Children, Bertolt Brecht’s 1939 play, war is depicted as a parasite and a brutal business, its protagonist simultaneously profiting and mourning the conflict that destroys her family.
We found ourselves reading his poems, Stories of Mr. Keuner, poetics, comments on politics and everyday life.
Whose Mr K, I wondered about Kafka’s Mr K from The Castle.
Brecht saw something absurd in all of this:
“What made me,” asked Mr K in “Love of fatherland, the hatred of fatherlands”, “become a nationalist for this one minute? It was because I encountered a nationalist, but this is precisely why this stupidity has to be rooted out, because it makes whoever encounters it stupid.”
I am starting to adore Mr K.
“Mr K, who was in favor of orderly relations between human beings, was embroiled in struggles all his life….”
I guess we all are.
At a certain point, I abandoned the group zoom session to run downstairs to watch more of the Oscars.
A documentary film about Russia and Ukraine won the Oscar for best documentary feature Sunday. “Mr. Nobody Against Putin,” takes on the Russian leader's propaganda and patriotism program for the nation's youth after its invasion message.
“In the name of our future, in the name of all of our children, stop all of these wars now,” the film's protagonist and co-director Pavel Talankin said in Russian from the stage through a translator.
"We will not learn to live together in peace by killing each other's children." Former United States President, Jimmy Carter.
Still, it drizzled all morning Monday.
Maria played Kazdoura Kazdoura in Yoga, all of us stretching along and I made my way on a cloudy journey from Brooklyn up to Albany, through Troy, NY, past old farm houses, to Bennington, Vermont to meet the little one, hit a few thrift shops, talking about it all, life, love, Spring Break, skinny dipping in a frozen pond, along a farm, greeting Rosie, a new friend, stopping at Big Mouth Deli & Country Store, thinking about Friedrich Nietzsche's concept of Amor Fati (love of fate) from Thus Spoke Zarathustra (Part IV, "The Drunken Song" or "The Sign"), which argues that joy and suffering are inseparable twins.
"Have you ever said Yes to a single joy? O my friends, then you said Yes to all woe as well."
"All things are entangled, ensnared, enamored; if ever you wanted one thing twice... then you wanted everything to return!"
In the meantime, March proceeded with Spring around the corner.
March 7
Missed the antiwar demo to hang out with Mom at the Princeton Art Museum, taking in the Robert Motherwell Untitled that caught her eye. We used to have a piece like that, she recalled. Mom was struck by the Basquiat. It just makes me laugh, she told me. Lovely to see art with the art history prof. Mom discovers Jean-Michel Basquiat at 89 years old.
March 8
Noise demo outside the Hilton where ICE is staying in mid town. ""No Trump! No KKK! No Fascist USA!" we chant. The Rude Mechanical Orchestra plays. The Funkrest follow, Monica leading the band in an ecstatic anti fascist chorus.
Following the demo Baby C and I made it out to Ridgewood for some late night techno at Kein Club. There's a war going on. Protests every day. Late night parties. History about us. USA come on, snap out of it! I remember the Hostage Crisis of 1979, New York September 2001. It does eventually come our way. No war with Iran!!!
March 9
We sneak off to the movies at Metrograph theater in Chinatown.
Sabrina is in Geneva, having escaped Prague after the Russia invasion of 68, at dinner with a new suiter. She complains about the muzac. "The Transformation of music into noise was a planetary process by which mankind was entering the historical phase of total ugliness. The total ugliness to come had made itself felt first as omnipresent acoustical ugliness: cars, motorcycles, electric guitars, drills, loudspeakers, sirens. The omnipresence of visual ugliness would soon follow" she says in the film adaptation of Milan Kundera's masterful novel. We played hookie from the world, dreaming of old Prague, thinking about Thomas and Tereza, looking about, talking about our lives and friends, glorious weekend of activism and dancing and movies and writing and plans for future travel. Spring around the corner.
March 10th
Richard Greagor my old buddy notes..."I feel like we’re somewhere between The Twilight Zone and Nutsville. For years, we have heard about the Anti-Christ, but we just might have a front row seat..." sigh..
March 11th
And then Baby C joined us, then Nate, then Meaghan. And then the bands. And then the banter. As music surrounded us as we tried to make sense of the wreckage, war after war, detention of immigrants, execution of protesters. Oh my.
March 12
Complicated times. I can't help but think blowback is coming our way. Reports of Iran drones poised to strike California. Discussions about the world at Julius. And a meeting for Gowanus Green tonight. My friends pass out flyers with some background about the problems with putting a school and affordable housing on a toxic waste dump from Voice of the Gowanus. Toxins in the ground, expanding…
March 13th
New reports:
“Anti-ICE protesters accused of being part of antifa found guilty of support for terrorism in Texas” says the Guardian.
“A statue inspired by the “Titanic” pose has appeared on the National Mall — but instead of portraying Jack and Rose as she pretends to fly, it depicts President Trump and Jeffrey Epstein,” says the NY TIMes.
March 14
You have to have your own adventures, said Mom over lunch, chatting about her trip to China on her own in 1980. All these stories, all these moments we share and can still talk about. What a gift. Food and kids and dreams, with a little banter along the way, before Baby C and I walked through the East Village, for a snack at a little Japanese place and some karaoke... All the kids sang along to the 70s era anthem. Who was that song? asked a younger woman, sitting by us. I really liked that song... me too.
"Can't Smile Without You"
You know I can't smile without you
I can't smile without you
I can't laugh and I can't sing
I'm finding it hard to do anything
You see I feel sad when you're sad
I feel glad when you're glad
That night I posted some info for the upcoming ACT UP demo.
“Feeling down, join us,
I write, posting a note about ACT UP’s 39th anniversary action coming up.
“Direct action gets the goods, then and now.”
Trip to Jackson Heights, the smell of spices hit us jumping off the train, music, food trucks for delights from Tibbet, India, Columbia, dumplings, the globe. Jim, our tour guide, met us at Diversity Plaza in Jackson Heights, Queens, "a vibrant pedestrian plaza created in 2012 to provide open space and enhance safety near a major transit hub (E, F, M, R, 7 trains). It serves as a cultural and social hub for the neighborhood's diverse communities, hosting events, markets, and providing public seating, landscaping, and food stalls with authentic cuisine like momos, kebabs, and samosas." Some guys start screaming. There are more people than tables. Countless voices, several of 167 languages spoken in the neighborhood. I go get some samosas. Come back, another guy is yelling at Jim, from Kuwait. We keep on walking. Some guys are selling food for people to eat after they break their fast. It's a festival day. Everyone is trying out new wares. First stop, Fuchka Garden, for fuchka. Run into some old friends, Jackie Orr, navigating the ups and downs of our time. Off to get some rolls of chicken tikka masala at a food truck. 'Why pay fancy when u could get fiery...' says the truck. Off to a Himalayan spot for some Momo dumplings. Crazy good. They remind me of khinkali dumplings you get in Georgia. We strolled about, stomachs full. Run into Catalina Cruz, the New York State Assemblymember for District 39, which includes Jackson Heights, Corona, and Elmhurst in Queens. A former DREAMer and experienced attorney, she focuses on tenant protections, immigration reform, and workers' rights. We talk about City Tech, where she used to work. Up Roosevelt past gay bars and Colombian restaurants, we stopped at a Nepali place called Bhanchha Ghar for momo. Jim tells us about his childhood in India. Go to Kerala boat tours, he says, recalling his home in India. The restaurant is full of cute people. Wow. We talk about the public spaces of Queens, one of the most colorful places on earth. Each day, a new journey about the globe.
On the way to Jackson Heights, we stopped at Love and Fury, at Posterhouse, taking in some of their collection of social movements, Black film, and Love and Fury, New York’s Fight Against AIDS,March 13–September 6, 2026
"In the late 1970s and early 1980s, clusters of rare illnesses began appearing among young, otherwise healthy gay men in New York, Los Angeles, and San Francisco. Doctors, activists, and affected communities noticed the pattern before public health authorities did.
Initial confusion was compounded by stigma: early names like GRID (Gay-Related Immune Deficiency) framed the epidemic through homophobia. In 1982, the CDC officially named the syndrome AIDS (Acquired Immune Deficiency Syndrome). As the death toll mounted, New Yorkers organized in the absence of state response—forming the Gay Men’s Health Crisis (GMHC), publishing community bulletins, and launching the first waves of self-determined care and advocacy.
When AIDS hit New York, posters spoke where institutions stayed silent. In a city wired for visual competition—crowded streets, subway ads, nightclub flyers—posters became lifelines. They were how people found clinics, mourned the dead, demanded justice, and fought for the living.
This exhibition explores how graphic design shaped New York’s grassroots response to AIDS from 1979 to 2003. Public health campaigns, agitprop, benefit flyers, and club handbills offer more than messages—they map how communities built survival systems from below, often before the state would act."















































