It was a lovely
week of theater and friends. Some of us
met to hear the stories of a long lost pop singer, who never quite made
it. In between, we said goodbye to a few
friends and embraced some new ones.
Brennan
invited us to the Rattlestick Theater deep in the
West Village to see my old Vassar buddy Howard Fishman sang about Connie Converse and her world of music, in between a struggle just to find a space
where her voice could just fit in. She
never seemed to find that space. Instead
Fishman recalled, she sent goodbye notes and drove off in her VW bug never to
be seen from again. We've all felt like we couldn't fit in at some point in our
lives, Fishman confessed in his final soliloquy.
Sometimes
setbacks are just too much. Dad and I
talked about those we've known who've suffered Alzheimer's after setback after
setback, tragedy and loss. A mother
loses a son to suicide; a newly watches her husband do himself in after two
days of marriage. Sometimes the pain is
just too much. And the mind, the body can't shake it. My students who work in emergency rooms, in
hospitals, in hospices, and clinics. We
talk about this. Yet how we shake out
the pain? People
take different approaches. I try to ride
and dance, to sing and listen to as much music as I can. Still buzzing about all the dancing at the
living theater, from a week prior, I enjoyed talking Judith Malina on
Friday.
Cars were parked in the bike lane on my way over the theater. |
"Don't forget about the
person you've never met," she explained to me. Don't forget the person out
there suffering she implored me.
Probably
the most lovely octogenarian I've never met, we talked about the living
theater, dancing, the police, invisible and ways the whole of life is a
stage. I told how much I had loved dancing
in her theater and watching her in her plays such as Maudie and
Jane, with Monica Hunken. "She is a wonderful actress," she told
me, referring to Hunken. Her theater is closing and she is moving away.I thanked Malina for helping New York have a revolutionary space where marching bands collide
with disaster relieve efforts, stories, plays, jail support, and revolutionary
theater.
Throughout
the day, I romped around the city, seeing buddies, napping, going on bike
rides, and walking through the community gardens for a goodbye walk in honor of
Neil Smith. A brilliant critical
geographer, Smith's writing helped me see New York's neighborhoods and their
conflicts, in a richer, global context I had never imagined when I first
started thinking about these neighborhoods fifteen years ago. Smith helped us see a dialectic in the
streets, parks, and riots of the East Village.
This was the same dialectic Donna
Schaper talked about the next day with a comma rather than a period at
Judson. There are other ways of looking at things than with periods and
absolutely.
Early Saturday, my friend Malav dropped an email reminding us
the walking tour was still on:
This is a friendly reminder that we are kicking off our radical
walking tour of the Lower East Side in memory of Neil's tours this afternoon.
We'll begin at 2:30pm at Astor Place; make a stop at Vazacs’s Horseshoe Bar
(108 Avenue B, a favorite stop on many of Neil's tours) around 5pm; and
finally, we will move to Bluestockings at 7pm for a salon and cozy gathering,
where we will read some of Neil's field notes and share our Neil-inflected
stories and memories.
We are meeting rain or shine, and hope to see you there!
Radical Walking Tour of the Lower East Side... in memory of Neil
Smith and his walking tours
Saturday, February 23, 2013
Rain or shine!
2:30 pm — Meet at the Astor Place Cube at the intersection of Astor Place/8th Street/Lafayette Street - across from the Astor Place 6 Train, Close to the N/R 8th Street stop.
5:00 pm — Vazacs’s Horseshoe Bar, 108
Avenue B (at E. 7th Street).
7:00 pm — Join us at Bluestockings Bookstore for a Neil Smith Salon with friends, students & comrades of Neil, 172 Allen Street (between Stanton and Rivington).
Tonight’s salon celebrates the life of Neil Smith (1954-2012),
renowned radical geographer, condemner of the capitalist city, powerful
agitator for the small and large cause, and gentle teacher, friend, comrade
to many. We honor his memory by exploring Neil’s more curious and ruminative
side by reading from his field notes, stories, and ephemera. Notebooks will
be uncreased, words will be interpreted, mystique will be revealed – many
dating back to Neil’s first days in the United States.
|
It
poured on the way over to the tour. I rode past the Elizabeth Street Sculpture
garden.
edenpictures' photostream |
And
the lovely rain drops sparkled in the streets and memories. It made it all the richer for the large group
on hand at the Astor Place Cube. Throughout
our tour, a few talked about the Smith's revolution walking tours during his
seminars. I recalled garden heroes
including my friend Francoise
Cachelin, a veteran of the French resistance, who saw the radical potential
of a community garden. We talked about crickets, resistance, reclaiming streets,
gardens saved, unsaved, new gardens, and those vacant lots we need to turn into
new community gardens.
My first garden tour in 1999, with reclaim the streets. Our final stop was ave a where we created our own garden photo by Michael Natale, Gammablog.com |
Francoise Cachelin |
Josh
played tunes and danced at Living Theater...
helping us send off the Living Theater and the Michele Hardstey, the legendary singer, drum player, and organizer who formed Rude Mechanical all those years ago in 2004, played with Hungry March Band, and commuted between Brooklyn and Western Mass while performing with Apocalypse Five and Dime and Occupying Wall Street. She reminded me that Bartelby the Scrivener would have been an occupier, helping connect the OWS library with a distinct kind of s struggle, with deep roots. She brought her ukulele to salons on the roof at Christine over the summers and helped connect music and politics, singing Billy Holiday songs while romping around New York from her days in Reclaim the Streets. She'll be spending more time away from town now. But we're glad she graced us with her music and its connections with cultural resistance over the years.
helping us send off the Living Theater and the Michele Hardstey, the legendary singer, drum player, and organizer who formed Rude Mechanical all those years ago in 2004, played with Hungry March Band, and commuted between Brooklyn and Western Mass while performing with Apocalypse Five and Dime and Occupying Wall Street. She reminded me that Bartelby the Scrivener would have been an occupier, helping connect the OWS library with a distinct kind of s struggle, with deep roots. She brought her ukulele to salons on the roof at Christine over the summers and helped connect music and politics, singing Billy Holiday songs while romping around New York from her days in Reclaim the Streets. She'll be spending more time away from town now. But we're glad she graced us with her music and its connections with cultural resistance over the years.
Jim
Eigo wrote about a dialog between generations of activists we've seen in
the last few months of AIDS activism with the loss of Spencer Cox and the
nomination of How to Survive a Plague, a film about his activism, for an
academy award.
Friends dropped by to watch the awards, while AIDS activists chimed in from a live blog.
I didn't imagine How to Survive would win. Friends dropped by as we watched the Oscars. Others live blogged as they waited and posted pressing readings of this history. Waves of appreciation rolled through me watching "Silence = Death" roll across the screen.
Friends dropped by and the words 'Silence=Death' flashed across the screen before Ben Affleck announced the winner. |
Finding
Searching for Sugerman, another
amazing story about a musician lost and found, won, unlike Colleen Converse.
After
it was done, Babs walked out to sing "Memories." Jay Blotcher reminded us: "Thank you
Barbra for making us all stop for a minute to count our blessings and to take
stock of the richness of our lives... and to think about those who have left
us." The music in the movies still
move me.
So do the stories and what they mean to us. "It
was never about the Oscar" noted Greg Gonsalves. " What was amazing
about these past few months is how we all came together again, first around the
filming of How to Survive a Plague, then the film's release, through the agony
of Spencer's death. We've suffered so much loss, but no one could have
predicted that this family writ large was still out there, this band of
activists from coast to coast, that has survived to support each other once
again."
Thanks
so Michel, Judith, Fancoise, Connie Converse, Spencer and all the heroes and
unsung heroes out there through the years. Towards the end of the night,
someone posted an Adele song capturing the sentiment of the night. It felt good to think of her
and all of them.
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