Image from the Gowanus.
A man looking out turned skeleton.
Skin hunger.
“When the entire population of a superpower nation is helplessly forced to rely on a six-time bankrupt TV person..."
NYC Dept. of Health says if haven’t taken up masturbating, you best be doing so.
·
“You are your safest sex partner” — obsessed with NYC’s guide to sex during corona
Fly Orr writes:
"SHIT IS REAL!I started drawing this about a week & half ago, when the news was showing the long Costco lines to buy toilet paper (& chicken)... Everyone was buying Toilet Paper!... it was like Panic Hurricane Shopping...( I'm trying to keep a fraction of humor in the face of despair) but we really have no precedent for "Shopping for a Pandemic" Then when NYC announced that it had one case of Covid-19 the "Panic Buying" started in the City & Again, Toilet Paper was immediately sold out... then an hour later it was 95 cases...which, yeah, I understand is because they started testing & suddenly realized that This SHIT Is REAL!!... a few days ago it was 3000 plus... yesterday was over 8000 - just in NYC! - - we are now the "Epicenter of the Pandemic" with ONE THIRD of the Country's cases being in NYC... apparently... but its all about the testing... there is no way to really know since only a limited amount of people in the country are being tested... its overwhelming the healthcare system so its impossible to test Everyone... I have SO MUCH RESPECT for Anyone working to provide healthcare services on the Front Lines... & to all of my beloved PEOPs - please take care of yourselves... Much Love & Strength & Good Health... stay Safe... xxx fly oxo."
Mairi McCormick says:
"A note for neighbors before quarantining completely. Find yourself friends who create beauty, who remind you you’re loved even when you can’t hug one another, because you are. Ps. Covid-19 is symptomatic of the ecological breakdown."
"A note for neighbors before quarantining completely. Find yourself friends who create beauty, who remind you you’re loved even when you can’t hug one another, because you are. Ps. Covid-19 is symptomatic of the ecological breakdown."
social distancing bike ride.
As I finish these edits, we are in
quarantine in New York as a global pandemic changes everything. Pollution levels falling around the world, mother earth seems to be taking things into her own hands.
Yesterday we had10,000 cases in New York, testing is spotty, the attorney
general wants to suspend civil
liberties, and the President suggests the election.
Today,
Today, 16,278 cases, 150 deaths.
We’ve been at home in self isolation for a week.
The governor’s order for us to be shut in begins.
Everyone is going through it.
Our family, the
city, the world.
My friends in
Italy are locked inside.
A stranger is
coming to visit.
But we can’t see
her.
"The Mask of the Red Death: A Fantasy".
But there are still cracks, openings and closings.
Mother earth needed a break and she’s taking it.
Capitalism is turning to socialism or fascism.
But all is not right.
Each day a different set of feelings.
On Wednesday, I awoke with a feeling of despair.
Travel and plans off.
Looks like my Cuba trip with my buddy is off.
Bad news and good.
Greg G points out, even if it gets better and we go back
to normal, its going to come back.
Everyone is going through it.
“It’s bedtime and despite the
help of a generous nightcap I know that while I am basically coping, staying
busy and obedient, trying to be useful to my family, friends, and colleagues, (hopefully
more than them too as we move through this) finding some time to actually think
about life and all my good fortune and even laugh and stay informed etc. I am
by turns really anxious, afraid, edgy, needy, clingy, hypochondriacal (that one
just a little), conflicted about priorities as we try to keep going, reminding
myself one day at a time and all of that and more, but above all I am so
fucking profoundly - sad. For everyone and everything. Sending love and restful
sleep wishes to everyone - same as I do for my beautiful, resilient, joyful daughter
every normal night of our lives. Peace.”
But life and work continue.
I still have classes to teach, albeit
online, instead of in a circle.
I miss my students and hate getting things up for online
classes.
But we have to do it.
The Wednesday night, I dream about the usual exuberant end of the semester
ritual of saying goodbye the last day of class.
The students smiling, sighing after finishing their
exams.
And then I awake, realizing it wasn’t going to happen.
We were not going
to see each other in that same way.
There wasn’t going
to be a goodbye.
But maybe there would be.
Gregg
Gonsalves posted a note:
“Masha Gessen in
her obituary, appreciation of the art critic Douglas Crimp in July of last year
said for Douglas, "activism was a response to mourning, but also a way to obscure grief—a way, in fact, to obscure life
itself." Over the past few weeks, my instinct has been to fight, to rage,
to throw myself into work around the COVID-19 epidemic. And this morning, it
bubbled up. Grief. About the world that is ending, one that was never quite a
world for me and my friends, because this grief is not new, it's old, ancient
now. We lost so many in a time long ago that it's history to most young people.
The prospect of another "wave of dying friends" and colleagues lost
to another virus is almost too much to bear. For me, it's a weight behind the
eyes for tears that never come. Mourning. Mourning and militancy.”
Everyone
who writes about or thinks about pandemics has this feeling.
The stirrings
of the past, mixed with the present, into a new trauma.
“1,112
and Counting” wrote Larry Kramer as the AIDS crisis began, each week new
numbers.
The slow motion car wreck
taking place in the numbers
climbing everyday.
Gradually, we came know more
and more names. Friends of friends. Acquaintances.
A friend’s lover. Each week more.
By
mid week, NYC was an epicenter.
Yet unlike past emergencies, this time we can’t touch each other.
We
have to keep a distance.
Emily Schuch writes:
“I realized in the past week that
my emotions are a rollercoaster because I've been moving very quickly through
the stages of grief. Maybe you are too. A lot of us may be at different stages
and be dealing with different fallout from this. Recognize it, and keep taking
care of yourself and each other. Ask others for help when you need it.”
I reply.
New things are coming
out of the losses. Lots of new things...
All over Brooklyn, kids are painting.
People are writing manifestos, novels, poems, planning mutual aid projects,
reimagining what it could all mean.
My little one is listening to a podcast about
the Diggers, painting all day long,
dreaming about going to LaGuardia, her new high school, where she received the
magic acceptance this week.
Even if we are isolated, we are
connected.
No man is an island wrote John Donne.
'No man is an iland, intire of it selfe;
every man is a peece of the Continent, a part of the maine; if a clod bee
washed away by the Sea, Europe is the lesse, as well as if a Promontorie were,
as well as if a Mannor of thy friends or of thine owne were; any mans death
diminishes me, because I am involved in Mankinde; And therefore never send to
know for whom the bell tolls; It tolls for thee....'
We read the poem during my remote field practicum class.
We are all impacted by each other.
Learn from your mistakes.
Be a part of history.
Write about it.
Feel it.
Let it run through you.
By Friday, it was increasingly apparent, this was going to get a lot weirder,
a lot longer.
“We need everyone to be safe, or no one can be safe,” Cuomo said during a press conference announcing the new regulations. “This is not life as usual. Accept it, realize it, and deal with it.”
“We need everyone to be safe, or no one can be safe,” Cuomo said during a press conference announcing the new regulations. “This is not life as usual. Accept it, realize it, and deal with it.”
Are liquor stores included?
I wonder.
Yes.
Don’t worry.
Jay writes:
“Everyone relax. Liquor stores are considered essential.”
I run off to do some panic
shopping.
Most of my friends working at the store are now wearing masks.
How is your writing? I ask mon
amour.
Terrible.
I can’t focus on the Nazis when
all this shit is going down.
God knows we all
do.
My friend wrote a
poem about this moment, tweeting:
Liz Mariani |
אורית מיכאל
@LizMarianiPoet
“And now we have an opportunity to
really change how it is we live love and celebrate life”
Every night, we watch a movie or two together after dinner.
Love and Death, Blade Runner, the
Matrix, Chinatown, Day for Night, The End of the Tour, the bio epic about a road trip at the end of David Foster
Wallace’s book tour for Infinite Jest.
My friend Rob and
I were going to go to Cuba.
He’d been driving
up from the Florida keys with a friend,
A band on the run, eluding the virus, from South Carolina
to DC.
We’re all
trying to.
They skipped even
coming to Brooklyn, stopping in Poughkeepsie
To pick up some
of Rob’s stuff.
The students sent
home,
Campus shuttered.
“A ghost town
before the virus, and now a moonscape of ghosts and bandits.”
Are we going to
make it to Cuba for Spring break.
Probably not.
Instead we have Quixote.
Our book club
meets online on Saturday.
We were going to
cancel our session, but Catherine wrote to everyone:
“Hi wonderful book nerds,
We were scheduled to gather today chez moi to discuss the
last 40thousand pages of Don Quixote between 3-5pm
Instead, I invite you all
to join for a mini ZOOM meeting.
These meeting are only 40 minutes
but it will be great to see one another and share some
thoughts on DQ.
Bring a quote to share for discussion
Or theme you want to discuss
or just listen in and see your friends
A..I.R. Book Club
Today, Saturday 3-3:40PM
via Zoom Meeting.”
via Zoom Meeting.”
Before meeting
everyone, I consult with Harold
Bloom, who wonders:
“What is the true object of Don
Quixote's quest?”
Reading Cervantes forces us into a dialogue
with something deep inside all of us.
What are any of our quests, the windmills
we’re chasing?
“I find that unanswerable,” gushes
Bloom. “We are not permitted to know. Since Cervantes's magnificent knight's
quest has cosmological scope and reverberation, no object seems beyond reach…Don
Quixote is tragedy as well as comedy. Though it stands for ever as the birth of
the novel out of the prose romance, and is still the best of all novels…We are
inside the vast book, privileged to hear the superb conversations between the
knight and his squire, Sancho Panza. Sometimes we are fused with Cervantes, but
more often we are invisible wanderers who accompany the sublime pair in their
adventures and debacles.”
I guess we’re all inside
the book now.
Can we
make it through?
Where will this road lead us?
“Battered by realities that are even more violent than he is, Don Quixote resists yielding to the authority of church and state,” writes Bloom. “But he is neither a fool nor a madman, and his vision always is at least double: he sees what we see, yet he sees something else also, a possible glory that he desires to appropriate or at least share. Why does Cervantes subject Don Quixote to the physical abuse of part I and the psychic tortures of part II? The physical and mental torments suffered by Don Quixote and Sancho Panza had been central to Cervantes's endless struggle to stay alive and free.
I find myself thinking of our webs of interconnection, between this
book and all of time. My Russian novel
teacher at Vassar, who studied with Nabakov, who wrote so eloquently about Cervantes,
who Herald understood to pose questions about where we stand in relationship to
others or reality itself;
“I do not believe the knight can be said
to tell lies, except in the Nietzschean sense of lying against time and time's
grim "It was". To ask what it is that Don Quixote himself believes is
to enter the visionary centre of his story.
Does the knight believe his own story?
It makes little sense to answer either "yes" or "no", so
the question must be wrong.”
Certainly.
No one has a monopoly on the truth or
even the right questions to ask.
Instead we’re all invited into the
conversation, taking us from Brooklyn to Kafka’s Praha, to Argentina where
Borges wrote about Cervantes.
And the rest of us wondered what he
learned from the master, taking us into a labyrinth, between fiction and reality.
Ilan Stavans and William P. Childers suggest:
“Modern individualism overrates
originality. Inventing a writer who contributes nothing to the text except
putting his own name to it, as Menard does, makes a mockery of the concept of
authorship.Or better, that the center no longer holds; it has been
replaced by a plethora of other decentralized centers. This is, in my view,
what the ideology of Menardismo, ..is about: the displacement of Spain as the fountainhead
whose water irrigated its outposts. Originality, in the New World, is based on
turning European aesthetics upside down, refreshing them, making clones based
on it that are more original than the original. Call it the revenge of the
natives!”
The conversation turns back to Borges, the question of authorship and identity.
“Borges read Cervantes all his life, and
his reflections cut across genres: essays, lectures, fiction, poetry,
interviews, memoir… He was the first to take a serious interest in the
metafictional aspect of the narrative.
Fiction and reality are interchangeable; neither can be shown to be more
than a representation.”
Catherine opens the zoom lens for all of us.
There is Emily looking out.
Joan E has been taking virtual tours of
the trees.
And Rob has been thinking about he order
of things:
Foucault wondered about Quixote in The Order of Things:
An Archaeology of the Human Sciences (New York: Vintage Books, 1970)
46-48:
“His who journey is a quest for similitudes: the slightest
analogies are pressed into service as dormant signs that must be reawakened and
made to speak once more. Flocks, serving girls, and inns become once more the
language of books to the imperceptible degree to which they resemble castles,
ladies, and armies--a perpetually untenable resemblance which transforms the
sought-for proof into derision and leaves the words of the books forever
hollow. . .
Don Quixote is a
negative of the Renaissance world; writing has ceased to be the prose of the
world; Resemblance and signs have dissolved their former alliance; similitudes
have become deceptive and verge upon the visionary or madness; things still
remain stubbornly within their ironic identity: they are no longer anything but
that they are; words wander off on their own, without content, without
resemblance to fill their emptiness; they are no longer the marks of things;
they lie sleeping between the pages of books and covered in dust. . . The
erudition that once read nature and books alike as parts of a single text has
been relegated to the same category as its own chimeras: lodged in the yellowed
pages of books, the signs of language no longer have any value apart form the
slender fiction which they represent. The written word and things no longer
resemble one another. And between them, Don Quixote wanders off on his own.
Yet language has not become entirely impotent. It now
possesses new powers, and powers peculiar to it alone. In the second part of
the novel, Don Quixote meets characters who have read the first part of his
story and recognize him, the real man, as the hero of the book. Cervante's text
turns back upon itself, thrusts itself back into its own density, and becomes
the object of its own narrative. The first part of the hero's adventures play
in the second part the role originally assumed by the chivalric romances. Don
Quixote must remain faithful to the book that he has now become in reality; he
must protect it from errors, from counterfeits, from apocryphal sequels; he
must fill in the details that have been left out; he must preserve its truth.
But Don Quixote himself has not read this book, and does not have to read it,
since he is the book in flesh and blood. Having first read to many books that
he became a sign, a sign wandering through a world that did not recognize him,
he has now, despite himself and without his knowledge, become a book that contains
his truth, that records exactly all that he has done and said and seen and
thought, and that at last makes him recognizable, so closely does he resemble
all those things whose ineffaceable imprint he has left behind him. Between the
first and the second parts of the novel, in the narrow gap between those two
volumes, and by their power alone, Don Quixote's truth is not in the relation
of the words to the world but in that slender and constant relation women
between themselves as verbal signs. The follow fiction of epic exploits has
become the representative power of language. Words have swallowed up their own
nature as signs.”
None of us have read
the book as we navigate this pandemic.
Something is being
written.
History is
unfolding in front of all of us.
“Six feet apart,” the police scream as we ride our bikes past
the police parked along Union, outside the 76th precinct, as we finish
our social distancing cycling ride from Prospect
Park to Red Hook and back.
We all have to keep our heads.
“I hope you write about the looming fascism coming our way,
with curfews, police and lockdowns.”
What wave is coming our way, I ask as we stand outside Valentino
Pier, looking at the mural of Hokusai’s the Wave. There were jobs and containers
and then deindustrialization, then drugs,
Then gentrification, globalization, Sandy, and now who know what wave is coming our way?
Its a good time to
keep our heads.
Can you keep a distance, says a woman ahead of me in
line at the grocery store.
It could be weeks and weeks of this.
Can we starve the virus or flatten the curve?
Be patient, I say to myself.
One day at a time.
Breathe.
Breathe.
Enjoy the vacation.
Mother earth is in change now.
“Come visit next week,” says Mom on the
phone.
“The governor wants us to stay home,” I tell
her.
“Well, he can’t ticket you for visiting
your mom.”
“I feel like crying,” writes a friend in
Hawaii, worried about our Cuba trip.
“Where do you go? Africa, maybe? But then it's
Ebola! What is Rob doing?? I'm seriously freaking out. And
can't stop crying. I'm having major full-time anxiety attack. And
I feel safe; it's just mostly grief for everybody else. I just went to
the store and everyone is wearing masks and it's like Dead Zone out there.
And we only have like 50 cases, but nobody trusts the numbers, b/c we
are so tourist-dependent, we don't trust anyone to tell us the truth. And
everyone losing their jobs, it's so sad. We are so lucky, govt.
employees, but what about everyone else?? Seriously I can't stop
crying. And watching lots of Freddie videos. He faced AIDS bravely,
and that was 100 per cent death rate at that point. I'm trying to be
inspired.... “
“Keep a panic journal,” I reply.
Its my answer for everyone.
“Hold your head.
Its gonna get weird. 10,000 cases in NYC.
Next week, 100,000
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