We drew pictures, looked at the streets, and felt the
sounds echoing through them, listenning to art all week long. Just walking through the streets of the city, we see
stories screaming from the spray paint, the light emanating from the sidewalk.
Last week, we painted stencils for children lost,
while the NYPD obsessed about Banksy.
In response to our actions, one observer noted:
Another
example comes from the Netherlands. There, in the 1970s, the rising number of
children killed in traffic crashes – in 1971, 450 children died on the streets
and roads -- led to amass protest movement pressuring the government to create
protected bicycle infrastructure and reduce the dominance of cars. The movement
was called "Stop de Kindermoord," or "Stop the Child Murder,"
taking its name from an article by journalist Vic Langenhoff, whose own child
was killed in a road crash.
Photo courtesy of Right of Way.
Over the past several years, many have suggested that perhaps
the United States might consider its own "Stop de Kindermoord"
campaign. Here, unintended injuries are the leading cause of death for
children, and motor vehicle traumas take by far the heaviest toll.
Unintentional pedestrian injury is the fifth-leading
cause of injury-related death for
children in the U.S. between the ages of 5 and 19.
In New York City last weekend, Right of Way, a group of
safety activists, took to the streets to bring home that point. Eight
children under the age of eight have been killed by drivers in the five
boroughs so far this year. The group rode bikes over a 50-mile route to visit
the places where each one died, marking the spots by stenciling the children’s
names and ages on the pavement. In five of the eight cases, the drivers were
not charged with any offense.
Right of Way Stencils. Bottom photo by Barbara Ross |
Images of police in bike lanes on Jay Street. |
The whole week, I was taken by the ways the contours
of city take shape through images of the clash of bodies in streets, bikes on the sidewalk,
paint on street walls, marching bands in green spaces, cats in community
gardens, and sounds in space.
The Honk Festival was in town, with marching bands
converging into town from Brazil to Boston.
Wednesday, I rode my bike into the city, catching Perhaps Contraption jamming in the park.
A few of us had been at De Colores
Community Garden earlier, enjoying chatting, hanging in the gardens, and
marching as we have many times before.
Friday night I saw PerhapsContraption jamming again on the closing night gala of the Honk. I love
seeing the new bands, such as this, bring elements of new wave aesthetics,
among their own new ingredients to the cavalcade of sound which is Honk and movement
it represents. The floor of the Gowanus
Ballroom, deep in my neighborhood in Brooklyn, shook as we danced, pogoing in
space, with buddies from Friends of Brad Will, Times Up! The RMO, and so many
others.
Presented
together with Gowanus Open Studios and Gowanus Ballroom.
Doors are at 8pm.
Show starts at 9pm
Admission: $10
SPECIAL APPEARANCE AT THE TOP OF THE NIGHT:
BRUTE FORCE
- Os Siderais
- Environmental Encroachment
- Perhaps Contraption
- PitchBlak Brass Band
- Veveritse Brass Band
- Dja-rara
HONK NYC!’s Friday night blowout begins with a surprise and ends in the cavernous gallery spaces of Gowanus Ballroom. The party starts with sets by visiting bands Os Siderais, Environmental Encroachment and Perhaps Contraption. Three Brooklyn-based bands round out the night. Hitting at the midnight hour will be PitchBlak Brass Band, the hottest hip-hop brass outfit in town. Inspired by the Romany Gypsy music of the Balkans, Veveritse, an irresistible party band, follows. Dja-rara brings it home.
Doors are at 8pm.
Show starts at 9pm
Admission: $10
SPECIAL APPEARANCE AT THE TOP OF THE NIGHT:
BRUTE FORCE
- Os Siderais
- Environmental Encroachment
- Perhaps Contraption
- PitchBlak Brass Band
- Veveritse Brass Band
- Dja-rara
HONK NYC!’s Friday night blowout begins with a surprise and ends in the cavernous gallery spaces of Gowanus Ballroom. The party starts with sets by visiting bands Os Siderais, Environmental Encroachment and Perhaps Contraption. Three Brooklyn-based bands round out the night. Hitting at the midnight hour will be PitchBlak Brass Band, the hottest hip-hop brass outfit in town. Inspired by the Romany Gypsy music of the Balkans, Veveritse, an irresistible party band, follows. Dja-rara brings it home.
I loved the hair cuts of Perhaps Contraption, their Frank Zappa and jazz standard covers, and the ways they invited other musicians to perform with them, as the carnival of up and down, of sound, echoed through the room.
Bs on the roof during magic hour, a couple before leaving for HONK! |
These images of music in procession
are part of the many colors of the city, the spectacles which are the subject
to Sarah Sparkles’ wonderful homage to a culture of resistance, Parades, Parties and Protests: Creative Resistance
Culture.
Sarah and her faaaabulous book. |
I first met Sarah at the night of
fire, one of the renegade street parties in the spring of 2006 before we moved
to California. We talked about books and
stories and this movement, joining at drag marches and other events through the
years. She participated in Roving Garden Parades, hung out, and wrote stories. And she always greeted with a smile,
remaining open to new ways communities blur distinctions and come together.
The rationale for her book was a world gone made. In the shadow of 9/11 an alternate culture took shape in the streets and warehouses, gardens and protests over a decade in New York City.
“Against this nebulous backdrop of
a democratic society in decline, a dynamic culture of hope and renewal was born
as millions of people participated in protests that responded creatively to the
turmoil of the times,” Sparkles writes (p, 7).
This was a subculture born of decades of underground street organizing and
culture jamming. “Despite extreme
restrictions places on venues, public spaces and media outlets, the innovative
culture of resistance that emerged inspired me to write a bold chronicle that
pays tribute to this pivotal moment in history… These movements embrace
creativity as vital life force energy, uphold the sanctity of freedom of expression
and assembly, champion the need for collective social spaces, and call for a humane
to replace exploitive capitalist systems… In the face of an of an ever changing landscape, I embarked on
a decade-long exploration of inspirational cultural happenings; public
processions around New York City, multimedia events that combined art and activism, all night dance parties in
warehouses, and pilgrimages to festivals
in remote parts of the country. These
alternative gatherings fostered a platform for art that is therapeutic and cathartic, being developed
in
communities that are under constant threat of extinction. At a time when many alternative voices were
shut out of the mass media, these dynamic grassroots events became a driving
force for disseminating information and cultivating an uplifting transformative
culture. In the face of adversity,
people from around the world came together, daring to create the world they dreamed
to live in. This is their story.
Parades, Parties and Protests paints an
important picture of a lost, underground, unofficial people’s history of the Bloomberg
years in New York City.
The story highlights the creativity
of the anti war movement born after in the streets of New York, in the public
commons of this city, after the bomgings.
Contrary to the stories of the corporate media, our grief was never a
cry for war.
"We mourn our dead. We stand
for Peace"
The Glamericans bringing a little
color, some spectacular glamour to a movement for peace.
The story highlights countless
pieces of lost history, of activism, which came and went in time.
Activism is rarely embraced by
history. So we have to write it for
ourselves. Early in the book, there is a
funny picture inside of myself and my buddy Kate Crane from 2002 at City Hall
Park, with Recycle This, a short lived direct action group pushing back again
cuts to the city recycling program. Years later, such slaps at models of
sustainable urbanism seem like part of our distant past. Photo by Sarah
Sparkles.
“Parades, Parties and Protests
highlights beauty amidst dark times, delving into creative forms of protest
that embody the power of art and community to heal, transform and propel society
into the future,” Sparkles concludes.”Over the last decade I have found joy and
liberation in urban gardens, gritty warehouse parties, roving street festivals,
and national gatherings in remote deserts and forests. During an era marked by corruption and
strife, these were cherished moments that made life worth living and ultimately
give me hope for better times to come,” (p.107). Thank you for this story of our people Sarah!
This is the history we help add a
line to with every gesture of care, every color in the streets, dance ride
Times Up! Organizes, every street parade the marching bands lead us through, as
the line between real life and carnival blur, while spectators and participants create an alternate story of New
York City.
These gestures are just a few of
the pictures we see of this ever more mutable city.\
I used to always draw pictures when my parents
dragged me to church. So do my kids. We
drew pictures, looking at the stained glass at Judson memorial.
Its part of makes growing up wonderful, to connect
art with light, living with something larger.
Of course, part of this process is recognizing there
are larger social forces than ourselves.
As Kate Barnhart and I described on Friday at the service learning day
at Poly.
Kate B and this author at ACT UP 25 Demo. Photo by Tim S. |
“Ben Shepard and I spoke to 5th and 6th graders at Poly Prep
about LGBT Youth homelessness and New Alternatives today,” wrote Kate Barnhart
Pretty amazed by the wisdom of these 10 yr olds who responded to my trick
question about what a homeless person looks like by telling me that there's no
special look, that anyone could be homeless! Go, tweens! — with Benjamin Heim Shepard.”
“Today, many of the clients she met as teenagers are
now 30 and beyond . ..”
Kate builds on a generation of activism, dating back to Sylvia Rivera and Bob Koher and their work with STAR, ACT UP, Gay Liberation Front, and the Fed Up Queers.
Kate builds on a generation of activism, dating back to Sylvia Rivera and Bob Koher and their work with STAR, ACT UP, Gay Liberation Front, and the Fed Up Queers.
Top Sylvia and Marsha P Johnson, of STAR, middle, Sylvia Rivera & Arthur Bell at 1970 New York University Gay Activist Alliance protest. Photo by Diane Daives. BottomKristen Parkerphotograph of Kate with with gay liberation icons Sylvia Rivera and Bob Kohler, in addition to Julia, Jesse, Dedre, Calypso, Mariah. |
After
Judson, we went to visit Elizabeth, aka Sister Mary Cunnilingis,
whom I have known since the late 1990s in New York when we all met a Dix at Six
after hours of AIDS activism and street antics.
Welcoming us in, she showed us Church Lady gear and memorabilia.
Detail of our friend Elizabeth's shrine to Sister Mary Cunnilingus by barry hoggard |
We
shared stories about activism, friendship, harm reduction and a generation of
reproductive rights activism.
“There
are people I would walk across the street to avoid, but not until there is a
cure,” explained Elizabeth, paraphrasing ACT UP icon Andy Velez. “But until there is a cure, I am going to
work with them.”
But it’s the friends, the images of a city of friends, which
still inspires me, I explained to Elizabeth as we gossiped.
“That’s always been your approach,” she followed, recalling
the stories of decades of her reproductive rights activism.
“The circle, it has no end, that’s how long I want to be
your friend,” number two later sketched.
I still love the Church
Ladies, Parades Protests, bikes and marching bands who help
transform the city into a living, breathing work of art. I feel honored to have
been part of this world , community, and culture of resistance. This is a space where kids grow, friendships
endure and we feel a part of everything.
For me its about the lines between friends and art, streets and
stories... this gives life the sparkle, color, and care I care about the most.
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