“A
million thank yous to the many friends who turned out tonight (Eid, in fact,
fittingly) at McNally Jackson Books in Williamsburg for the launch of
my new novel "Correspondents." We ate almost all the baklava! A
special thanks to the amazing McN-J staff, to Grove PR wiz John Mark Boling and
especially to Yasir Dhannoon and Lexi Shereshewsky of The Syria Fund, which the night benefited. As I
learned with the last book, I never fully realize what my deep emotional
impulses were for writing a book until I talk about
it before a crowd for the first time. Hence, tonight was a bit stumbling and
emo for me and thankfully Yasir was right there beside me to help me sort our
way through it. Am VERY thankful to all who bought copies --we sold out the
store stock save a few books, which means REORDER! Thank yous for showing up
to Benjamin Heim Shepard, Ivy Arce, Natalie James, Gabriel San Emeterio, Martin Wilson, Jerome Ellison Murphy, Christina Quintana, Lizzie Scott, Virginia Vitzthum, Nora Burns, Ron
Cohen, Cara Buckley, Jessica Margaret Glaser, Oliver Radclyffe, Brooke Berman, Joe Okonkwo, Ted Theodore Davis, Joe
Mejia, Imanol B Mzdr, Jeff Golick, Maggie Malina, David Tischman, Xavier Smith, Aaron Mack Schloff, Laura
Whitehorn, Susie Day, Angela Kyle, Carl Swanson, Kendall Werts, Teddy Ryles, Bruce Richman and
anybody who I didn't name because I can't see you in the photo!” - photo and caption by Tim Murphy
|
A few weeks ago, Tim Murphy sent me an
invitation to the book launch for his new novel:
“Please join me
Mon Jun 3 at 7pm at the beautiful new Williamsburg branch of McNally-Jackson
for the official launch of my new novel CORRESPONDENTS (out May 28), a tale of
two families--one Arab-American, one Iraqi--during and after the American-led
invasion of Iraq. I will read and then will have a chat with Iraqi-born,
NY-based entrepreneur Yasir Dhannoon, who was my technical adviser on the book and who is
also involved with The Syria Fund, for which this evening will also be an informal
benefit. I will also sign books! There will be wine and sparkling water and
perhaps even Middle Eastern pastries, inshallah! Hope to see you there!”
I was excited to be there.
Murphy is the most unique of
novelists.
For 15 years, I’ve loved his work as an AIDS journalist.
When I worked in a syringe exchange program, we enjoyed his supportive writings on
harm reduction.
When a dear friend died, he
“Housing
Works, which brought eight busloads of protesters from New York
City, the day was also, as one staffer said, the “second half of Keith’s
funeral.” He meant the April death of the group’s beloved cofounder (and King’s
lover) Keith Cylar, whose image graced posters and
T-shirts. “[Keith and I] were planning on getting arrested together today,”
King said. ‘But he would be thrilled to see this.’”
Like many of the
greats, he moved from journalism to
literary fiction, publishing
short stories and Christadora in 2016,
pointing at his own demons, our
additions, compulsions, and dances with intoxication.
“She could feel
the Melancholy Demon bearing down,” he wrote
in Christadora.
We all could.
We all could.
Somehow we thought we were out of the woods, we were a
good country again when we elected
Obama, Murphy sighed out loud last night at the book launch for The Correspondents,
his novel of love and war, xenophobia
and culture.
“Every novel
begins with an obsession,” he confessed last night, discussing his inspiration
for this larger than life story.
“You go deep,” I
commented to Tim, watching him observe and get to know people as a journalist
through the years.
With the
Correspondents, he’s gone deeper than anyone expected.
“For years now,
I’ve been obsessed with the Iraq War,” he continued, pointing out that Obama
was essentially elected on his opposition to the war, pulling the country out,
and allowing us to forget it. But we
couldn’t completely forget it. The same forces that got us into that war, the
lies, the xenophobia, the sense of vengeance, they never went away, always simmering below the
surface.
“How quickly we
become absorbed into the myopia,” Murphy wondered, reflecting on our propensity
toward amnesia.
“Obama was elected
and we felt like we were good again.
And, of course, we’re not.
Then Trump was
elected; my father died, and it was this grounding thing,” Murphy
continued. “And I had feelings about
that.” Although the book takes place before
Trump’s ascent, it addresses the subcurrents which brought him into power.
“It’s a book about
family history, American families, immigrant dreams, work, and American
consciousness.”
Throughout the
reading, Murphy laughs at himself,
“AIDS, Iraq –
cheerful four-letter words that will guarantee you book sales and cheery
feelings. Next book will probably be about Zika.”
A lover of reading and people, Murphy is
generous with him time, blurbing friends books, strangers books, my books,
gushing about this book or that that he is reading, hi brow and low, Michelle
Obama and Matt Bernstein Sycamore. This love of reading, of big topics, the absurd, of the vistas of our imagination
extends through his writing.
There were so many questions I could have
asked as Murphy referred to writers, such as George Elliot, whose prose inspire. She writes:
“'Our vision, both real and ideal, has since
then been filled with far other scenes: among eternal snows and stupendous
sun-scorched monuments of departed empires; within the scent of the long
orange-groves; and where the temple of Neptune looks out over the siren-haunted
sea. But my eyes at least have kept their early affectionate joy in our native
landscape, which is one deep root of our national life and language'”.
You can feel this sensibility in Murphy’s writing.
The Correspondents points to
something both bountiful and dark
in us.
There is something wonderful about the communities of immigrants, such
as in Boston where he grew up. But there is also something dark and closed
about the ways we close ourselves to the world, becoming inundated and absorbed
with ourselves.
There is a bigger
world to see and understand.
My friends said, “Don’t
go to Iraq. Really just don’t,”
And misunderstanding
grows.
Travel through Afghanistan
and Iraq in the 1960’s marked the happiest
of adventures of my parents’ lives, making friends not war.
My mom wanted to study Iranian art.
And then the revolution
happened.
Misunderstanding
grows.
And she turned to
English illuminated manuscripts.
Murphy hopes we can
all get lost in a cab with
someone we don’t know,
With a stranger, learning about the generosity that
is out there.
Hopefully, the
characters in the Correspondents can “disabuse us of some of our
stereotypes,” he concludes. They remind me of the people in Cairo Trilogy. Mahfouz writes:
“I believe in life
and in people. I feel obliged to advocate their highest ideals as long as I
believe them to be true. I also see myself compelled to revolt against ideals I
believe to be false, since recoiling from rebellion would be a form of treason…
Art is language of the entire human personality.”
It feels like Murphy
is leading us down that same path toward
a place where we all become a little more
human.
A supportive friend.
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